The utensil of character development
This is the most useful utensil I've come across. You could survive any eating experience with it.
You could tear into a juicy slab of Alberta Beef; you could swivel pasta or noodles; and, you could scoop up some pudding for desert.
It's a multi-dimensional, complex utensil, just as your characters need to be multi-dimensional and complex.
Like my protag Cyd in the two novels of the Megabyte Mystery series, she can stab the antagonist with sarcasm and wit; swirl through plot twists and slide through the turns with intelligence and curiosity; and, care for her animal obsessed twin sister with compassion. She's a complex character.
Donald Maass has an exercise where you take a couple of the positive characteristics of your protag and give them to your antag and vice versa. This is how you create complex characters; characters aren't all good or evil all the time.
You could tear into a juicy slab of Alberta Beef; you could swivel pasta or noodles; and, you could scoop up some pudding for desert.
It's a multi-dimensional, complex utensil, just as your characters need to be multi-dimensional and complex.
Like my protag Cyd in the two novels of the Megabyte Mystery series, she can stab the antagonist with sarcasm and wit; swirl through plot twists and slide through the turns with intelligence and curiosity; and, care for her animal obsessed twin sister with compassion. She's a complex character.
Donald Maass has an exercise where you take a couple of the positive characteristics of your protag and give them to your antag and vice versa. This is how you create complex characters; characters aren't all good or evil all the time.
Similarly to the utensil, your character can then dig into any literary meal you throw at them.
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Gotz to get me some Alberta beef! |
Comments
That Maass book is always getting quoted around here. I'm going to have to get it.
Thanks, Jan! :o)
Angela @ The Bookshelf Muse